| Photographing your pet reptiles and amphibians is | | | | level on your camera (if you can adjust this). The |
| something every exotic animal owner loves to do. | | | | higher your ISO is, the more noise you're going to |
| But, a lot of the time it can be difficult to work with | | | | have in your photo, but you're also going to be able |
| the animal and the shots just aren't coming out the | | | | to shoot in darker environments. The lower the ISO, |
| way you were hoping. Well, I'm here to help! I've | | | | the cleaner your photo is, but you're not letting as |
| been photographing reptiles and amphibians in the wild | | | | much light reach your sensor, so you're not going to |
| and in captivity for close to 5 years now and have | | | | be able to shoot in as dark an environment as you |
| won several contests with my shots. I've worked | | | | may like. |
| with Corn Snakes, Ball Pythons, Boa Constrictors, and | | | | So, I always try and shoot between ISO 100 and |
| many more venomous and non-venomous snakes | | | | ISO 400 if possible, but depending on the type of |
| over the course of my photography experience. | | | | camera you have, you may be able to get away |
| Now, I'm going to give you the secrets to my | | | | with ISO numbers all the way up to 1600 before |
| success! | | | | seeing a lot of noticeable noise. Finally, we need to |
| Taking great photos of these magnificent animals is a | | | | talk about shutter speed. Depending on your shutter |
| scientific and artistic mixture of several different | | | | speed, you can let it more light but you can also pick |
| ingredients. It takes a great eye for composition and | | | | up camera shake (the natural shake in your hand) |
| lighting, knowledge of the animal in front of you (i.e. | | | | and the movement of your subject, leading to blurry |
| behaviors, tendencies, etc.), and most importantly | | | | images. So a balance must be found. I normally try |
| PATIENCE! Remember that unlike a human subject, | | | | and shoot at shutter speeds between 1/125 and 1 |
| reptiles and amphibians (we'll refer to them as "herps" | | | | 250 when I'm working with artificial or naturally |
| from here on out) don't know what you're trying to | | | | diffused light as I find this gives me the best amount |
| do and can be very rambunctious frustrating - just | | | | of light into the photo while allowing me to still work |
| hang in there! | | | | with fidgety snakes and lizards. When I'm working |
| Great shots don't happen on the first or second click | | | | with a tripod and a calm snake, however, I've used |
| of the button (unless you're lucky of course) which | | | | shutter speeds as slow as 1/4 of a second! It all |
| brings us to our first photography tip - use a digital | | | | depends on how much light you need to allow into |
| camera! Most film development centers are going out | | | | your photo, and how much movement is occurring in |
| of business anyways and digital is the easiest way to | | | | the photo. This is a balancing act that takes a lot of |
| take and store thousands of photos for you and | | | | skill and practice to get right, and is dependent on |
| your family. My preference is to use a Digital SLR | | | | you and your animal. There is no perfect solution that |
| (Single Reflex Lens) camera body and a series of | | | | works across the board! |
| interchangeable lenses as they give you the most | | | | Now that we've covered you and your camera |
| control over your photographical subject. If you're | | | | settings, let's talk about something that can be the |
| not willing to spend the money, however, a Point | | | | most difficult task of all, working with a herp! There |
| & Shoot Digital camera works great as well. Just | | | | are lots of different techniques that people use to |
| remember, the more manual control you have over | | | | calm down their animal and get it ready to |
| the camera the better! | | | | photograph ranging from just letting the animal move |
| Now that we have our camera selected let's focus | | | | on a twig or in the grass and just firing away, to |
| on what truly makes a good photograph and what | | | | holding the animal with one hand and photographing it |
| photography truly is - painting with light. No matter | | | | with the other. I prefer to hold the animal for about |
| what the subject is, we're trying to use light in a way | | | | 10 to 20 minutes before the shoot to allow it to |
| that portrays the subject the way we imagine it in | | | | wear itself out and slow down a little bit. After that, |
| our mind. The camera sensor is not as good at | | | | it depends on how I'm wanting to use the snake in |
| distinguishing between different intensities of light, | | | | the photo I'm imagining. If I want to shoot it climbing |
| and in order to get all of the detail in the photo the | | | | then there isn't much more I can do than let it go |
| way we imagine it, we have to understand the | | | | and try and direct it with massive amounts of |
| interaction and difference in light intensities. In doing | | | | patience and time. These shots are normally beautiful |
| so we see the detail in the highlights and shadows | | | | if you have the patience to work with the snake, but |
| that could otherwise be lost, and take away from | | | | aren't always the best for people hoping to get a |
| the image you're trying to create. Playing with deep | | | | quick shoot in before going to softball practice. |
| shadows and blown out whites can be fun in an | | | | Another great way to shoot snakes on the ground |
| artistic point-of-view, but when going for a truly | | | | or some sort of litter is by using an appropriately |
| natural looking shot, it will hurt your image. | | | | sized bowl or dish. Place the bowl or dish upside |
| So, try and keep all of your images within 3 stops of | | | | down over the snake giving it a nice, safe, dark |
| light from the brightest to the darkest, giving you | | | | environment that it can calm down and coil up in. |
| contrast and detail in the same image! The best | | | | Leave it this way for a few minutes and set up your |
| ways of doing this are shooting with diffused light. | | | | camera and figure out your settings while you're |
| Direct light is very harsh and created areas of deep | | | | waiting. Now, you have to be somewhat quick, but |
| shadows and blown-out highlights, so we want to | | | | remove the dish and photograph your snake in a |
| diffuse it and make these areas of shadow and | | | | nice, coiled, comfortable position showing that |
| intensity blend together and soften accordingly. Want | | | | beautiful, iconic coiled snake the way you dreamed it! |
| to know the cheapest way to create great light? | | | | This can be done with bags and other objects as |
| Naturally! Shooting outside on days that are overcast | | | | well, as long as it give the snake a nice, snug, dark, |
| or in the early morning and late evening hours when | | | | safe place to relax and calm down for a short period |
| the sun isn't as intense and the light is a brilliant | | | | of time. Experiment with what works best with your |
| orange color can be some of the best times for | | | | animals, and never forget to have patience! |
| photography, and it's absolutely free! Finally, when | | | | Remember, with digital photos, taking the pictures is |
| shooting inside, the greatest way to utilize natural | | | | only half the fun. You can do many different |
| light is by photographing your subject near a window. | | | | photographic manipulations on the computer and this |
| Window light can give a magnificent diffusivity to light | | | | is just one more of the many reasons to move to |
| and create beautiful shadows and contrast in the | | | | digital photography. We're not going to get into |
| photo. In order to harness this great light, however, | | | | photograph manipulation much today, but one thing I |
| we have to know the proper settings on our camera! | | | | want to make you aware of is White Balance. White |
| When trying to find and compose your image, | | | | balance is of utmost importance when photographing |
| remember the rule of thirds and compose based on | | | | anything! Different types of light have different |
| this photographic rule (divide the image into three | | | | colors and this can leave the picture looking anything |
| columns and three rows, the points of intersection | | | | from orange to green to purple depending on the |
| should be close to where the main subject of your | | | | light source. Always make sure you're photograph is |
| image is focused). You want to make sure the eye | | | | correctly color balanced and that the colors are a |
| of your subject is also your focusing point, and that | | | | good representation of the animal you are |
| your depth-of-field is deep enough to keep most of | | | | photographing. Beyond that, have fun with your |
| the animal in focus. To accomplish this, keep your | | | | photos and share them with the world via blogs, |
| aperture around f/5.6-f/8 and you should have a | | | | forums, and print because that is what photography |
| very good range of sharpness in your photo. To | | | | is all about! |
| keep the noise low in your photos, watch the ISO | | | | |